No AI for art. AI for everything else.

How AI can be used sparingly — for the learning and production processes, rather than the art itself.

Note taking, learning, research, organization and scheduling, automation, scripted tool development, marketing: basically, all the ways that someone can use AI that won't compromise their artistic integrity.

Everything else

Most of an artist's working day isn't the art. AI can help with all of it, and never touch a single brushstroke, model, or frame:

The grunt work inside the art

Many jobs involved in otherwise artistic processes have no real artistic contribution at all. They are busy work — "grunt work" — that wastes artists' time, and worse, takes them out of the creative flow state by forcing them to focus on something else. For example:

Where the line is drawn

Where the line is drawn becomes a subjective choice. However, there are a lot of parts in the processes where, for years, we've been comfortable using tools that automate the process: automatic unfolding for UV layout, for example, or ZRemesher in ZBrush. AI-based tools that do these things are just a natural next step, and they don't take away anything meaningful from the artist's control.

Every individual artist gets to decide where to draw the line between which processes they automate and which they choose to do themselves.

More time for the art

In these cases, what AI actually does is give the artist more time to work on their actual art: more time to put towards perfecting their vision, and making the parts the audience will actually see.

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